Je suis un paragraphe. Cliquez ici pour ajouter votre propre texte et me modifier. C'est facile.

Olivier Massebeuf , born in Lyon , 1963

 

I graduated from l'Ecole des Beaux Arts de Paris in

Olivier Massebeuf , born in Lyon , 1963

 

I graduated from l'Ecole des Beaux Arts de Paris in the 1980's ( drawing section ) and then decided to study English at the University Paris XII ( now Upec ) . After a year as a French assistant in London I started a job as an illustrator for a Roleplaying Games magazine in Paris until 1991 when I became a teacher of English .I am currently teaching English in a business school ( Paris , 17e ) along with painting which I have been doing professionally since 2004 .

I have participated in a first exhibition organised by Amnesty International in Montreuil in 2004 and then have taken part in several others in Paris while also showing my work in Blackheath Gallery ( London , 2007 – 2016 ) and in Art Generation Gallery ( Paris 3e , 2007 to this day ) .

 

Statement

 

 

Ever since I came across the works of Egon Schiele , Francis Bacon or Lucian Freud as a teenager , I knew drawing and painting would have to be an addiction . Strangely enough I seriously took to painting as a student in English . I was then more inclined to express feelings by means of Lyrical Abstraction ( influenced by artists like Hans Hartung ) than through figurative painting .

 

Nevertheless , as I started working on a Comics project in 1985 I realized figuration was a more natural medium for me . Whatever the mediums I have used so far though, I have come to realize that emotion is my main concern and I would qualify my work as ' automatic ' since it mainly derives from feelings I'm not so keen on accounting for, which might be likened with André Breton's ' automatic writing ' . The meaning often emerges afterwards .

the 1980's ( drawing section ) and then decided to study English at the University Paris XII ( now Upec ) . After a year as a French assistant in London I started a job as an illustrator for a Roleplaying Games magazine in Paris until 1991 when I became a teacher of English .I am currently teaching English in a business school ( Paris , 17e ) along with painting which I have been doing professionally since 2004 .

I have participated in a first exhibition organised by Amnesty International in Montreuil in 2004 and then have taken part in several others in Paris while also showing my work in Blackheath Gallery ( London , 2007 – 2016 ) and in Art Generation Gallery ( Paris 3e , 2007 to this day ) .

 

Statement

 

 

Ever since I came across the works of Egon Schiele , Francis Bacon or Lucian Freud as a teenager , I knew drawing and painting would have to be an addiction . Strangely enough I seriously took to painting as a student in English . I was then more inclined to express feelings by means of Lyrical Abstraction ( influenced by artists like Hans Hartung ) than through figurative painting .

 

Nevertheless , as I started working on a Comics project in 1985 I realized figuration was a more natural medium for me . Whatever the mediums I have used so far though, I have come to realize that emotion is my main concern and I would qualify my work as ' automatic ' since it mainly derives from feelings I'm not so keen on accounting for, which might be likened with André Breton's ' automatic writing ' . The meaning often emerges afterwards .

Olivier Massebeuf , born in Lyon , 1963
 
I graduated from l'Ecole des Beaux Arts de Paris in the 1980's ( drawing section ) and then decided to study English at the University Paris XII ( now Upec ) . After a year as a French assistant in London I started a job as an illustrator for a Roleplaying Games magazine in Paris until 1991 when I became a teacher of English .I am currently teaching English in a business school ( Paris , 17e ) along with painting which I have been doing professionally since 2004 .
I have participated in a first exhibition organised by Amnesty International in Montreuil in 2004 and then have taken part in several others in Paris while also showing my work in Blackheath Gallery ( London , 2007 – 2016 ) and in Art Generation Gallery ( Paris 3e , 2007 to this day ) .
 
Statement
 
 
Ever since I came across the works of Egon Schiele , Francis Bacon or Lucian Freud as a teenager , I knew drawing and painting would have to be an addiction . Strangely enough I seriously took to painting as a student in English . I was then more inclined to express feelings by means of Lyrical Abstraction ( influenced by artists like Hans Hartung ) than through figurative painting .
 
Nevertheless , as I started working on a Comics project in 1985 I realized figuration was a more natural medium for me . Whatever the mediums I have used so far though, I have come to realize that emotion is my main concern and I would qualify my work as ' automatic ' since it mainly derives from feelings I'm not so keen on accounting for, which might be likened with André Breton's ' automatic writing ' . The meaning often emerges afterwards .
votre propre texte et me modifier. C'est facile.

The Flood - detail 3.jpg

Olivier Massebeuf Painting and drawing

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Olivier Massebeuf , born in Lyon , 1963

Olivier Massebeuf , born in Lyon , 1963

 

I graduated from l'Ecole des Beaux Arts de Paris in the 1980's ( drawing section ) and then decided to study English at the University Paris XII ( now Upec ) . After a year as a French assistant in London I started a job as an illustrator for a Roleplaying Games magazine in Paris until 1991 when I became a teacher of English .I am currently teaching English in a business school ( Paris , 17e ) along with painting which I have been doing professionally since 2004 .

I have participated in a first exhibition organised by Amnesty International in Montreuil in 2004 and then have taken part in several others in Paris while also showing my work in Blackheath Gallery ( London , 2007 – 2016 ) and in Art Generation Gallery ( Paris 3e , 2007 to this day ) .

 

Statement

 

 

Ever since I came across the works of Egon Schiele , Francis Bacon or Lucian Freud as a teenager , I knew drawing and painting would have to be an addiction . Strangely enough I seriously took to painting as a student in English . I was then more inclined to express feelings by means of Lyrical Abstraction ( influenced by artists like Hans Hartung ) than through figurative painting .

 

Nevertheless , as I started working on a Comics project in 1985 I realized figuration was a more natural medium for me . Whatever the mediums I have used so far though, I have come to realize that emotion is my main concern and I would qualify my work as ' automatic ' since it mainly derives from feelings I'm not so keen on accounting for, which might be likened with André Breton's ' automatic writing ' . The meaning often emerges afterwards .

I graduated

Olivier Massebeuf , born in Lyon , 1963

 

I graduated from l'Ecole des Beaux Arts de Paris in the 1980's ( drawing section ) and then decided to study English at the University Paris XII ( now Upec ) . After a year as a French assistant in London I started a job as an illustrator for a Roleplaying Games magazine in Paris until 1991 when I became a teacher of English .I am currently teaching English in a business school ( Paris , 17e ) along with painting which I have been doing professionally since 2004 .

I have participated in a first exhibition organised by Amnesty International in Montreuil in 2004 and then have taken part in several others in Paris while also showing my work in Blackheath Gallery ( London , 2007 – 2016 ) and in Art Generation Gallery ( Paris 3e , 2007 to this day ) .

 

Statement

 

 

Ever since I came across the works of Egon Schiele , Francis Bacon or Lucian Freud as a teenager , I knew drawing and painting would have to be an addiction . Strangely enough I seriously took to painting as a student in English . I was then more inclined to express feelings by means of Lyrical Abstraction ( influenced by artists like Hans Hartung ) than through figurative painting .

 

Nevertheless , as I started working on a Comics project in 1985 I realized figuration was a more natural medium for me . Whatever the mediums I have used so far though, I have come to realize that emotion is my main concern and I would qualify my work as ' automatic ' since it mainly derives from feelings I'm not so keen on accounting for, which might be likened with André Breton's ' automatic writing ' . The meaning often emerges afterwards .

from l'Ecole des Beaux Arts de Paris in the 1980's ( drawing section ) and then decided to study English at the University Paris XII ( now Upec ) . After a year as a French assistant in London I started a job as an illustrator for a Roleplaying Games magazine in Paris until 1991 when I became a teacher of English .I am currently teaching English in a business school ( Paris , 17e ) along with painting which I have been doing professionally since 2004 .

I have participated in a first exhibition organised by Amnesty International in Montreuil in 2004 and then have taken part in several others in Paris while also showing my work in Blackheath Gallery ( London , 2007 – 2016 ) and in Art Generation Gallery ( Paris 3e , 2007 to this day ) .

 

Statement

 

 

Ever since I came across the works of Egon Schiele , Francis Bacon or Lucian Freud as a teenager , I knew drawing and painting would have to be an addiction . Strangely enough I seriously took to painting as a student in English . I was then more inclined to express feelings by means of Lyrical Abstraction ( influenced by artists like Hans Hartung ) than through figurative painting .

 

Nevertheless , as I started working on a Comics project in 1985 I realized figuration was a more natural medium for me . Whatever the mediums I have used so far though, I have come to realize that emotion is my main concern and I would qualify my work as ' automatic ' since it mainly derives from feelings I'm not so keen on accounting for, which might be likened with André Breton's ' automatic writing ' . The meaning often emerges afterwards .

un paragraphe. Cliquez ici pour ajouter Olivier Massebeuf / Painting and drawing propre texte et me modifier. C'est facile.

The mass - featuring Mary Magdalena - 61
The mass- featuring Mary Magdalena - May
mass hallucination - 130 x 89 - May 2021
In Memoriam - 20 x 60 - Avril 2021
Peopled Void II - 50 x 50 - Avril 2021
Hera- 50 x 50 - Avril 2021
Southward - March 2021 - 61 x 50
Off-duty gorgon - 35 x 35 - March 2021
Nocturne - 130 x 89 - Feb 2021
Sympathy for the Devil - 130 x 89 - Feb
Sympathy for the Devil - 130 x 89 - Feb
The cage - 116 x 81 - Feb 2021
Weighing the soul - 116 x 81 - Feb 2021.
Individuation - DEF -116 x 81 - Dec 2020
The impudent - 116 x 81 - Nov 2020
Apnoea 2 - 100 x 71 - Oct 2020
Apnoea 1 - 50 x 50 - Oct 2020
Hanging by a threat - 486 x 38 - Sept 20
Hanging by a thread - 73 x 60 - Sept 202
Apes - 73 x 53 - Sept 2020
No apparent reason - 55 x 46 - Sept 2020
Call of Saturn - 145 x 114 - Def - Sept
Wealth of Evidence - detail - Aug 2020
Wealth of Evidence - 145 x 114 - Aug 202
Fascinista  2 - 60 x 50 - Aug 2020
Fascinista 1 - detail - Aug 2020
Fascinista 1 - 60 x 50 - Aug 2020
Circus - detail - 146 x 96 - Juil 2020
Circus -GO - 146 x 96 - Juil 2020
La chaise droite - acrylic on wood panel
Underworld 1 - 36 x 36 - June 2020
The first Class Funeral - 61 x 50 - June
In Between - 50 x 50 - June 2020
Manhood - 116 x 81 - May 2020 GO
Exposure - 40 x 20 -May 2020
The Fire Within - GO - 116 x 80 - May 20
Spacesheep - 20 x 20 - April 2020 GO (3)
Lost Sheep - 20 x 20 - March 2020
The peopled void - pencil - 20 x 20 - Ap
The part and the whole - 36 x 36 - April
Liquid score - 20 x 20 - April 2020
Spacesheep - 20 x 20 - April 2020 GO (3)
The_Courtyard_-_§April_2020_-_21_x_29,7
Lost Sheep - 20 x 20 - March 2020
Tabula Rasa - 35 x 27 - Mars 2020
The Annunciation  3 - 146 x 97 - 24 feb
The Annunciation  3 - 146 x 97 - 24 feb
-- The Girl who knew too much 2 - 146 x
The Oath 2_ 1116 x 89 - Jan 2020
Duality - 150 x 100 - Dec 2019 - GO
Inscape - 40 x 20 - nov 2019 - GO
shattered mirror - Oct 2019 - 35 x 22 -
The Flood - 20 x 20 - Oct - Nov 2019 GO.
Afloat - 50 x 50 - Aug 2019 - NV
Medusa too - 30 x 30 - Oct 2019 - GO
Cent fois des dialogues - 40 x 40 - Oct
Dancing away the apocalypse - 150x100 -
Irregular Triangle- 150 x 100 - Sept 201
All tomorrow's parties - 30 x 30 - Aug 2
Morning prayer - 35 x 27 - Aug 2019
Remains -61 x 46 - Jul 2019
Megaliths - 120 x 40 - Jul 2019
times immemorial - 100x 73 - August 2019
Incarnation - 100 x 73 - August 2019
Donkey Business - 100 x 70 - Juil 2019
Des_Coléoptères_-_Juil_2019_-_116_x_73_0
The Amphibian - 100 x 70 - June 2019 - G
Venus onychophage - 50 x 61 - June 2019
Restraint - 61 x 50 - May 2019
Identity 2 - May 2019 - 116 x 81
Identity 3 - 116 x 81 - May 2019
Identity 1 - 116 x 73 - April 2019 - GO.
Influx - 120 x 80 - Avril 2019
borderline - 60 x 50 - April 2019  - DEF
The Storm - 116 X 73 - April 2019 003 (3
Red Swan - March 2019 -116 x 73 - DEF
155TL5 - 80 x 80 - Mars 2019 - Def
Aeons - 114 x 73 - Jan 2018 - ok
The Devil's Playground - last go - Nov 2
My Pleasure  - Dec 2018 - 50 x 50 - def.
Out of the Blue - 120 x 80 - Nov 2018 -d
Virtuous Circle  1- 80 x 80 - Nov 2018
The Devil's Playground - last go - Nov 2
Morning swamp - acrylic - 50 x 30 - sept
crack of dawn - Sept  2018 - 30 x 90
Engulfed Prometheus - Acrylic 120 x 80 -
De_Profundis_-_Acrylic_-_70x70_-_Aug_201
gazing monad - huile - 25 x 25 - Avril 2
Anschauung -  acrylic  - 60 x 60 - Mai 2018
Meiyo - Mai 2018 - Acrylic - 100 x 65
Declaration of Love  - Acrylic 116 x 73 - Mai 2018
Paradise regained - acrylic - 100 x 73 - April 2018
The firm Grip - oil - 100 x 100- Nov 2016
The mass - featuring Mary Magdalena - 61
The mass- featuring Mary Magdalena - May
mass hallucination - 130 x 89 - May 2021
In Memoriam - 20 x 60 - Avril 2021
Peopled Void II - 50 x 50 - Avril 2021
Hera- 50 x 50 - Avril 2021
Southward - March 2021 - 61 x 50
Off-duty gorgon - 35 x 35 - March 2021
Nocturne - 130 x 89 - Feb 2021
Sympathy for the Devil - 130 x 89 - Feb
Sympathy for the Devil - 130 x 89 - Feb
The cage - 116 x 81 - Feb 2021
Weighing the soul - 116 x 81 - Feb 2021.
Individuation - DEF -116 x 81 - Dec 2020
The impudent - 116 x 81 - Nov 2020
Apnoea 2 - 100 x 71 - Oct 2020
Apnoea 1 - 50 x 50 - Oct 2020
Hanging by a threat - 486 x 38 - Sept 20
Hanging by a thread - 73 x 60 - Sept 202
Apes - 73 x 53 - Sept 2020
No apparent reason - 55 x 46 - Sept 2020
Call of Saturn - 145 x 114 - Def - Sept
Wealth of Evidence - detail - Aug 2020
Wealth of Evidence - 145 x 114 - Aug 202
Fascinista  2 - 60 x 50 - Aug 2020
Fascinista 1 - detail - Aug 2020
Fascinista 1 - 60 x 50 - Aug 2020
Circus - detail - 146 x 96 - Juil 2020
Circus -GO - 146 x 96 - Juil 2020
La chaise droite - acrylic on wood panel
Underworld 1 - 36 x 36 - June 2020
The first Class Funeral - 61 x 50 - June
In Between - 50 x 50 - June 2020
Manhood - 116 x 81 - May 2020 GO
Exposure - 40 x 20 -May 2020
The Fire Within - GO - 116 x 80 - May 20
Spacesheep - 20 x 20 - April 2020 GO (3)
Lost Sheep - 20 x 20 - March 2020
The peopled void - pencil - 20 x 20 - Ap
The part and the whole - 36 x 36 - April
Liquid score - 20 x 20 - April 2020
Spacesheep - 20 x 20 - April 2020 GO (3)
The_Courtyard_-_§April_2020_-_21_x_29,7
Lost Sheep - 20 x 20 - March 2020
Tabula Rasa - 35 x 27 - Mars 2020
The Annunciation  3 - 146 x 97 - 24 feb
The Annunciation  3 - 146 x 97 - 24 feb
-- The Girl who knew too much 2 - 146 x
The Oath 2_ 1116 x 89 - Jan 2020
Duality - 150 x 100 - Dec 2019 - GO
Inscape - 40 x 20 - nov 2019 - GO
shattered mirror - Oct 2019 - 35 x 22 -
The Flood - 20 x 20 - Oct - Nov 2019 GO.
Afloat - 50 x 50 - Aug 2019 - NV
Medusa too - 30 x 30 - Oct 2019 - GO
Cent fois des dialogues - 40 x 40 - Oct
Dancing away the apocalypse - 150x100 -
Irregular Triangle- 150 x 100 - Sept 201
All tomorrow's parties - 30 x 30 - Aug 2
Morning prayer - 35 x 27 - Aug 2019
Remains -61 x 46 - Jul 2019
Megaliths - 120 x 40 - Jul 2019
times immemorial - 100x 73 - August 2019
Incarnation - 100 x 73 - August 2019
Donkey Business - 100 x 70 - Juil 2019
Des_Coléoptères_-_Juil_2019_-_116_x_73_0
The Amphibian - 100 x 70 - June 2019 - G
Venus onychophage - 50 x 61 - June 2019
Restraint - 61 x 50 - May 2019
Identity 2 - May 2019 - 116 x 81
Identity 3 - 116 x 81 - May 2019
Identity 1 - 116 x 73 - April 2019 - GO.
Influx - 120 x 80 - Avril 2019
borderline - 60 x 50 - April 2019  - DEF
The Storm - 116 X 73 - April 2019 003 (3
Red Swan - March 2019 -116 x 73 - DEF
155TL5 - 80 x 80 - Mars 2019 - Def
Aeons - 114 x 73 - Jan 2018 - ok
The Devil's Playground - last go - Nov 2
My Pleasure  - Dec 2018 - 50 x 50 - def.
Out of the Blue - 120 x 80 - Nov 2018 -d
Virtuous Circle  1- 80 x 80 - Nov 2018
The Devil's Playground - last go - Nov 2
Morning swamp - acrylic - 50 x 30 - sept
crack of dawn - Sept  2018 - 30 x 90
Engulfed Prometheus - Acrylic 120 x 80 -
De_Profundis_-_Acrylic_-_70x70_-_Aug_201
gazing monad - huile - 25 x 25 - Avril 2
Anschauung -  acrylic  - 60 x 60 - Mai 2018
Meiyo - Mai 2018 - Acrylic - 100 x 65
Declaration of Love  - Acrylic 116 x 73 - Mai 2018
Paradise regained - acrylic - 100 x 73 - April 2018
The firm Grip - oil - 100 x 100- Nov 2016
The mass - featuring Mary Magdalena - 61
The mass- featuring Mary Magdalena - May
mass hallucination - 130 x 89 - May 2021
In Memoriam - 20 x 60 - Avril 2021
Peopled Void II - 50 x 50 - Avril 2021
Hera- 50 x 50 - Avril 2021
Southward - March 2021 - 61 x 50
Off-duty gorgon - 35 x 35 - March 2021
Nocturne - 130 x 89 - Feb 2021
Sympathy for the Devil - 130 x 89 - Feb
Sympathy for the Devil - 130 x 89 - Feb
The cage - 116 x 81 - Feb 2021
Weighing the soul - 116 x 81 - Feb 2021.
Individuation - DEF -116 x 81 - Dec 2020
The impudent - 116 x 81 - Nov 2020
Apnoea 2 - 100 x 71 - Oct 2020
Apnoea 1 - 50 x 50 - Oct 2020
Hanging by a threat - 486 x 38 - Sept 20
Hanging by a thread - 73 x 60 - Sept 202
Apes - 73 x 53 - Sept 2020
No apparent reason - 55 x 46 - Sept 2020
Call of Saturn - 145 x 114 - Def - Sept
Wealth of Evidence - detail - Aug 2020
Wealth of Evidence - 145 x 114 - Aug 202
Fascinista  2 - 60 x 50 - Aug 2020
Fascinista 1 - detail - Aug 2020
Fascinista 1 - 60 x 50 - Aug 2020
Circus - detail - 146 x 96 - Juil 2020
Circus -GO - 146 x 96 - Juil 2020
La chaise droite - acrylic on wood panel
Underworld 1 - 36 x 36 - June 2020
The first Class Funeral - 61 x 50 - June
In Between - 50 x 50 - June 2020
Manhood - 116 x 81 - May 2020 GO
Exposure - 40 x 20 -May 2020
The Fire Within - GO - 116 x 80 - May 20
Spacesheep - 20 x 20 - April 2020 GO (3)
Lost Sheep - 20 x 20 - March 2020
The peopled void - pencil - 20 x 20 - Ap
The part and the whole - 36 x 36 - April
Liquid score - 20 x 20 - April 2020
Spacesheep - 20 x 20 - April 2020 GO (3)
The_Courtyard_-_§April_2020_-_21_x_29,7
Lost Sheep - 20 x 20 - March 2020
Tabula Rasa - 35 x 27 - Mars 2020
The Annunciation  3 - 146 x 97 - 24 feb
The Annunciation  3 - 146 x 97 - 24 feb
-- The Girl who knew too much 2 - 146 x
The Oath 2_ 1116 x 89 - Jan 2020
Duality - 150 x 100 - Dec 2019 - GO
Inscape - 40 x 20 - nov 2019 - GO
shattered mirror - Oct 2019 - 35 x 22 -
The Flood - 20 x 20 - Oct - Nov 2019 GO.
Afloat - 50 x 50 - Aug 2019 - NV
Medusa too - 30 x 30 - Oct 2019 - GO
Cent fois des dialogues - 40 x 40 - Oct
Dancing away the apocalypse - 150x100 -
Irregular Triangle- 150 x 100 - Sept 201
All tomorrow's parties - 30 x 30 - Aug 2
Morning prayer - 35 x 27 - Aug 2019
Remains -61 x 46 - Jul 2019
Megaliths - 120 x 40 - Jul 2019
times immemorial - 100x 73 - August 2019
Incarnation - 100 x 73 - August 2019
Donkey Business - 100 x 70 - Juil 2019
Des_Coléoptères_-_Juil_2019_-_116_x_73_0
The Amphibian - 100 x 70 - June 2019 - G
Venus onychophage - 50 x 61 - June 2019
Restraint - 61 x 50 - May 2019
Identity 2 - May 2019 - 116 x 81
Identity 3 - 116 x 81 - May 2019
Identity 1 - 116 x 73 - April 2019 - GO.
Influx - 120 x 80 - Avril 2019
borderline - 60 x 50 - April 2019  - DEF
The Storm - 116 X 73 - April 2019 003 (3
Red Swan - March 2019 -116 x 73 - DEF
155TL5 - 80 x 80 - Mars 2019 - Def
Aeons - 114 x 73 - Jan 2018 - ok
The Devil's Playground - last go - Nov 2
My Pleasure  - Dec 2018 - 50 x 50 - def.
Out of the Blue - 120 x 80 - Nov 2018 -d
Virtuous Circle  1- 80 x 80 - Nov 2018
The Devil's Playground - last go - Nov 2
Morning swamp - acrylic - 50 x 30 - sept
crack of dawn - Sept  2018 - 30 x 90
Engulfed Prometheus - Acrylic 120 x 80 -
De_Profundis_-_Acrylic_-_70x70_-_Aug_201
gazing monad - huile - 25 x 25 - Avril 2
Anschauung -  acrylic  - 60 x 60 - Mai 2018
Meiyo - Mai 2018 - Acrylic - 100 x 65
Declaration of Love  - Acrylic 116 x 73 - Mai 2018
Paradise regained - acrylic - 100 x 73 - April 2018
The firm Grip - oil - 100 x 100- Nov 2016
The mass - featuring Mary Magdalena - 61
The mass- featuring Mary Magdalena - May
mass hallucination - 130 x 89 - May 2021
In Memoriam - 20 x 60 - Avril 2021
Peopled Void II - 50 x 50 - Avril 2021
Hera- 50 x 50 - Avril 2021
Southward - March 2021 - 61 x 50
Off-duty gorgon - 35 x 35 - March 2021
Nocturne - 130 x 89 - Feb 2021
Sympathy for the Devil - 130 x 89 - Feb
Sympathy for the Devil - 130 x 89 - Feb
The cage - 116 x 81 - Feb 2021
Weighing the soul - 116 x 81 - Feb 2021.
Individuation - DEF -116 x 81 - Dec 2020
The impudent - 116 x 81 - Nov 2020
Apnoea 2 - 100 x 71 - Oct 2020
Apnoea 1 - 50 x 50 - Oct 2020
Hanging by a threat - 486 x 38 - Sept 20
Hanging by a thread - 73 x 60 - Sept 202
Apes - 73 x 53 - Sept 2020
No apparent reason - 55 x 46 - Sept 2020
Call of Saturn - 145 x 114 - Def - Sept
Wealth of Evidence - detail - Aug 2020
Wealth of Evidence - 145 x 114 - Aug 202
Fascinista  2 - 60 x 50 - Aug 2020
Fascinista 1 - detail - Aug 2020
Fascinista 1 - 60 x 50 - Aug 2020
Circus - detail - 146 x 96 - Juil 2020
Circus -GO - 146 x 96 - Juil 2020
La chaise droite - acrylic on wood panel
Underworld 1 - 36 x 36 - June 2020
The first Class Funeral - 61 x 50 - June
In Between - 50 x 50 - June 2020
Manhood - 116 x 81 - May 2020 GO
Exposure - 40 x 20 -May 2020
The Fire Within - GO - 116 x 80 - May 20
Spacesheep - 20 x 20 - April 2020 GO (3)
Lost Sheep - 20 x 20 - March 2020
The peopled void - pencil - 20 x 20 - Ap
The part and the whole - 36 x 36 - April
Liquid score - 20 x 20 - April 2020
Spacesheep - 20 x 20 - April 2020 GO (3)
The_Courtyard_-_§April_2020_-_21_x_29,7
Lost Sheep - 20 x 20 - March 2020
Tabula Rasa - 35 x 27 - Mars 2020
The Annunciation  3 - 146 x 97 - 24 feb
The Annunciation  3 - 146 x 97 - 24 feb
-- The Girl who knew too much 2 - 146 x
The Oath 2_ 1116 x 89 - Jan 2020
Duality - 150 x 100 - Dec 2019 - GO
Inscape - 40 x 20 - nov 2019 - GO
shattered mirror - Oct 2019 - 35 x 22 -
The Flood - 20 x 20 - Oct - Nov 2019 GO.
Afloat - 50 x 50 - Aug 2019 - NV
Medusa too - 30 x 30 - Oct 2019 - GO
Cent fois des dialogues - 40 x 40 - Oct
Dancing away the apocalypse - 150x100 -
Irregular Triangle- 150 x 100 - Sept 201
All tomorrow's parties - 30 x 30 - Aug 2
Morning prayer - 35 x 27 - Aug 2019
Remains -61 x 46 - Jul 2019
Megaliths - 120 x 40 - Jul 2019
times immemorial - 100x 73 - August 2019
Incarnation - 100 x 73 - August 2019
Donkey Business - 100 x 70 - Juil 2019
Des_Coléoptères_-_Juil_2019_-_116_x_73_0
The Amphibian - 100 x 70 - June 2019 - G
Venus onychophage - 50 x 61 - June 2019
Restraint - 61 x 50 - May 2019
Identity 2 - May 2019 - 116 x 81
Identity 3 - 116 x 81 - May 2019
Identity 1 - 116 x 73 - April 2019 - GO.
Influx - 120 x 80 - Avril 2019
borderline - 60 x 50 - April 2019  - DEF
The Storm - 116 X 73 - April 2019 003 (3
Red Swan - March 2019 -116 x 73 - DEF
155TL5 - 80 x 80 - Mars 2019 - Def
Aeons - 114 x 73 - Jan 2018 - ok
The Devil's Playground - last go - Nov 2
My Pleasure  - Dec 2018 - 50 x 50 - def.
Out of the Blue - 120 x 80 - Nov 2018 -d
Virtuous Circle  1- 80 x 80 - Nov 2018
The Devil's Playground - last go - Nov 2
Morning swamp - acrylic - 50 x 30 - sept
crack of dawn - Sept  2018 - 30 x 90
Engulfed Prometheus - Acrylic 120 x 80 -
De_Profundis_-_Acrylic_-_70x70_-_Aug_201
gazing monad - huile - 25 x 25 - Avril 2
Anschauung -  acrylic  - 60 x 60 - Mai 2018
Meiyo - Mai 2018 - Acrylic - 100 x 65
Declaration of Love  - Acrylic 116 x 73 - Mai 2018
Paradise regained - acrylic - 100 x 73 - April 2018
The firm Grip - oil - 100 x 100- Nov 2016